Kunqu Opera in the Last Hundred Years in China
DOI:
https://doi.org/10.30564/ret.v2i4.1387Abstract
Kunqu, literally means kun melody, is one of the most ancient forms of Chinese opera. Originally her melody derives from Kunshan zone of Jiangsu province therefore it has been named Kunshan melody before, now Kunqu also known as Kunju, which means Kunqu opera. This paper mainly focuses on the development of Kunqu in the past 100 years and the influence of historical social and humanistic changes behind the special era on Kunqu, and compares the attitudes of scholars of different schools of thought in different eras to Kunqu and the social public to compare and analyze the degree of love of Kunqu.
Keywords:
Kunqu; Last hundred years; Development; InfluenceReferences
[1] Zhou yibai,“history of opera evolution”,Shantou University press ,2017, p.267.
[2] Huang dianqi,“Chinese opera facial make-up art”,Jiangxi fine arts press ,p.6.
[3] Zhou yibai,“history of opera evolution”,Shantou University press ,2017,p.53.
[4] Zhou yibai,“history of opera evolution”,Shantou University press ,2017,p.62.
[5] Zhou yibai,“The history of Kunqu”,Suzhou press ,2006,p.37.
[6] Zhou yibai, “history of opera evolution”,Shantou University press, 2017,p.95.
[7] Ye changhai,“Chang Sheng Dian”performance and research,Shanghai literature and art press ,2009 ,p.73.
[8] Zheng jinming ,Yao jia, “the development of the Kunqu theater in the reform and innovation in Jiangsu Province” ,2009,p.133.
[9] Dai mengfan ,“Novels”,Zhejiang people’s press,1980,p.35.
[10] “New youth” 5th volume number 6,”Benzhiqishilu 1”,1918, December.
[11] “Beixin magaine”,1907, number30 “Chinese Modern Literature Department Literary theory 2”p.575.
[12] Lv tiancheng ,“Qupin” ,Zhonghua book company,2006,p.52
[13] Wang jide, “Qulv” ,Chines Theatre Publishing Press, p.96.
[14] Kang baocheng ,“A hundred years of Chinese drama history(1900-2000)”, Hunan Fine Arts Press ,2014,p.378.
[15] Jiao xun ,“Ju shuo” ,Zhonghua book company ,p.47.
[16] Lu eting, “Kunqu Performance history ” ,Shanghai Education Press, 2006,p.139.
[17] Chen jun ,“Kunqu’s sound and color”,CITIC Group press, 2012,p.186.
[18] Zhao youliang, “Kunqu (1)”,1939 ,p.38.
[19] Yu qiuyu ,“Where is the flute—about the Kunqu”,2004,p. 178.
[20] Jia zhigang ,“Chinese modern opera history”, Culture and Art Press ,2011, p.213.
[21] Huang huilin, “A hundred years of Chinese drama history” ,Beijing University Press, 2009 , p. 193.
[22] Pan zhiheng ,“Luan yuan plays”, Huangshan book company ,p.103.
[23] Jia zhigang ,“A hundred years of Chinese opera history” ,Culture and Art Press, 2011,p.156.
[24] Li madou ,“Anhui Qingqu” ,Huang shan book company, p.233
[25] Yu qiuyu,“Where is the flute—about the Kunqu”,2004, p.115.
[26] Kang baocheng,“A hundred years of Chinese drama history(1900-2000)” ,Hunan Fine Arts Press ,2014, p.486.
[27] Kang baocheng,“A hundred years of Chinese drama history(1900-2000)” ,Hunan Fine Arts Press ,2014, p.506.
[28] Wang li ,“History of drama evolution”, Shantou University Press ,2017, p. 149.
[29] Wang yingjie, Guo yanchen ,“A brief history of Chinese opera and appreciation of famous figures” ,Southwest Normal University Press, 2015 ,p.135.
[30] Wang yingjie, Guo yanchen,“A brief history of Chinese opera and appreciation of famous figures”, Southwest Normal University Press ,2015 ,p.218.
[31] Wang jide, “Chinese classical opera theory integration” ,Chinese opera press, p.362.
Downloads
Issue
Article Type
License
Copyright and Licensing
The authors shall retain the copyright of their work but allow the Publisher to publish, copy, distribute, and convey the work.
Review of Educational Theory publishes accepted manuscripts under Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). Authors who submit their papers for publication by Review of Educational Theory agree to have the CC BY-NC 4.0 license applied to their work, and that anyone is allowed to reuse the article or part of it free of charge for non-commercial use. As long as you follow the license terms and original source is properly cited, anyone may copy, redistribute the material in any medium or format, remix, transform, and build upon the material.
License Policy for Reuse of Third-Party Materials
If a manuscript submitted to the journal contains the materials which are held in copyright by a third-party, authors are responsible for obtaining permissions from the copyright holder to reuse or republish any previously published figures, illustrations, charts, tables, photographs, and text excerpts, etc. When submitting a manuscript, official written proof of permission must be provided and clearly stated in the cover letter.
The editorial office of the journal has the right to reject/retract articles that reuse third-party materials without permission.
Journal Policies on Data Sharing
We encourage authors to share articles published in our journal to other data platforms, but only if it is noted that it has been published in this journal.