Discussion on the Development Trend of Chinese National Vocal Music

Authors

  • Yu Zhou Shanghai Institute of Technology, China

DOI:

https://doi.org/10.30564/ret.v2i4.1393

Abstract

National vocal music carries the Chinese cultural spirit and Chinese national genes, and it has great influence among the broad masses of the people. The broad and profound Chinese spirit they display, with deep connotation and far-reaching significance is an important spiritual support for the survival and development of the contemporary nation. At present, the Chinese vocal music circle has effectively led the development trend of national vocal music by focusing on the inheritance and development of national vocal music, conducting academic research, singing exchanges, teaching innovation, media promotion, and field investigation, which has laid a good foundation for the creative development and innovative integration of national vocal music.

 

Keywords:

Chinese vocal school; Intangible cultural heritage; Chinese opera song

References

[1] Jin Tielin: “Exploring the Development of National Vocal Music——Comment on the Theory and Aesthetic Research of National Vocal Music Art”, Guangming Daily • Cultural Review Weekly • Art Review, 14th edition, March 24, 2014.

[2] Wang Liguang: “Compatible and Innovative - Building “Chinese vocal school” Series”, “Chinese Music”, No. 1, 2018, pp. 5-6.

[3] Huang Huan: “From National Vocal Performance to the Construction of Discourse System of National Opera Performance”, “People’s Music”, 2019, 2, p. 46.

[4] Liao Changyong: “The literary and artistic works must adhere to the roots of the people, take root in life”, “People’s Music”, 2018, 4, p. 15.

[5] Song Zuying: “My Exploration and Practice of Jin Tielin’s National Vocal Music Theory System”, Chinese Journal of Music, 2012 Ph.D. Thesis, p. 35.

[6] Li Guyi: The second episode of CCTV’s Drama Channel (CCTV11), “Chinese Opera Songs”, September 10, 2017.

[7] Li Gang: Song Analysis and Writing, China Textile Press, 2018, p. 7.

[8] Yu Jiafang: “The History of Modern Chinese Music”, Shanghai People’s Publishing House, 2006, p. 5.

[9] Luo Yifeng: “Five Lectures on the History of Chinese Musical Thoughts”, Shanghai Conservatory of Music Press, 2013, p. 1.

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Issue

Vol. 2 , Iss. 4 (October 2019)

Article Type

Review Article

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