From Text to Field: Study on the Intercultural Communication of Music in Collection of Chinese Works and Translations by Matteo Ricci from the Perspective of Maritime Silk Road

Authors

  • Yaoshen Liang University of Bologna

DOI:

https://doi.org/10.30564/ret.v3i2.1790

Abstract

In this paper, with Collection of Chinese Works by Matteo Ricci written by Zhu Weizheng and A summary Interpretation of Chinese literature of Matteo Ricci in Ming and Qing Dynasties written by Tang Kaijian as major research texts and historical basis, as well as intercultural communication as the major research method, the aesthetic adaptation of native music of traditional Chinese music, etiquette, sacrifice and religious customs under the description of Matteo Ricci is discussed and interpreted from the perspective of the spread of musical culture of the Maritime Silk Road, four stages of field investigation are planned, and related musical activities and local musical phenomena appearing in his literature have an on-site visit. In this way, the vital position and historical significance of Matteo Ricci’s cultural missionary activities in the music communication on the Maritime Silk Road are obtained.

Keywords:

Matteo Ricci, Chinese works and translations, Intercultural communication, Maritime Silk Road, Music communication, Field investigation

References

[1] LI J. Tutor: WANG LJ. Study of the Loanwords in Collection of Chinese Works by Matteo Ricci [D]. Chongqing Normal University Master’s Degree Thesis, 2010(3):1.

[2] ZHU WZ. Collection of Chinese Works by Matteo Ricci [M]. Shanghai. Fudan University Press, 2001(12):29.

[3] ZHAO YT. Study on Zhaoqing and Matteo Ricci [N]. Xijiang Daily, 2011(11):13.

[4] LI XF. Jesuits in Shaozhou at the End of Ming Dynasty [J]. History of Guangdong, 2003(01):51.

[5] ZHOU XL. Study on the Origin and Development Process of Maritime Silk Road in Guangzhou. [J]. China Ancient City,2018(1):49.

[6] Xinhuanet. Telecommunication of the Reporter YUAN HJ on December 8 from Nanchang. Rare Large Tombs of Six Dynasties were found in Nanchang of Jiangxi Province [Z].

[7] WU MX. Matteo Ricci’s Cultural Activities and Influence in Nanchang [J]. Jiangxi Social Sciences, 1992(01):113-118.

[8] ZHANG ZG. Rejection and Absorption: Catholic response to Chinese folk beliefs -- from the End of Ming Dynasty to the Opium War [D]. Shandong University Doctor’s Degree Thesis. Major: Chinese modern history. Tutor: LU Y; 2018(15):14.

[9] YIN J. A Summary of the Research on the Historical Development of Nanjing Maritime Silk Road in Ming Dynasty [J]. Journal of Xuehai, 2019 (06):157-161.

[10] HE XJ. Research on the Inheritance and Development of the Rites and Music of Offering Sacrifices to Confucius in Quzhou Confucius Ancestral Temple [D]. Zhejiang Normal University, Master’s Degree Thesis of Musicology and Dancology, 2019(6):5.

[11] WANG Y. Music Communication between China and the West in Ming and Qing Dynasties- Discussion of the Influence of Matteo Ricci on Chinese Music [J]. Art Science and Technology, 2018(1):108-109.

[12] ZHANG ZQ. Historical Changes of Mateo Ricci Graveyard and Significance of Chinese and Western Cultural Exchange [J]. Journal of Zhejiang Gongshang University, 2013(4):19.

[13] SUN SY. Matteo Ricci and Chinese Theology [J]. China Ethnic News, 2010 (06).

[14] YI Z. Matteo Ricci was in Beijing [J]. Tourism, 1980(3):28.

[15] SHI L. Matteo Ricci and Musical Exchange between China and the West [J]. Journal of Zhengzhou University (Philosophy and Social Sciences Edition), 2005(4):172.

Downloads

Issue

Vol. 3 , Iss. 2 (April 2020)

Article Type

Research Article

License

Copyright and Licensing

The authors shall retain the copyright of their work but allow the Publisher to publish, copy, distribute, and convey the work.

Review of Educational Theory publishes accepted manuscripts under Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). Authors who submit their papers for publication by Review of Educational Theory agree to have the CC BY-NC 4.0 license applied to their work, and that anyone is allowed to reuse the article or part of it free of charge for non-commercial use. As long as you follow the license terms and original source is properly cited, anyone may copy, redistribute the material in any medium or format, remix, transform, and build upon the material.

License Policy for Reuse of Third-Party Materials

If a manuscript submitted to the journal contains the materials which are held in copyright by a third-party, authors are responsible for obtaining permissions from the copyright holder to reuse or republish any previously published figures, illustrations, charts, tables, photographs, and text excerpts, etc. When submitting a manuscript, official written proof of permission must be provided and clearly stated in the cover letter.
The editorial office of the journal has the right to reject/retract articles that reuse third-party materials without permission.

Journal Policies on Data Sharing

We encourage authors to share articles published in our journal to other data platforms, but only if it is noted that it has been published in this journal.