Deconstructing Colonial Discourse: A Linguistic Analysis of Power and Memory in Bernardine Evaristo's Blonde Roots

Authors

  • Kaneez Fatima

    English Department, Lovely Professional University, Phagwara 144411, India

  • Ajoy

    English Department, Lovely Professional University, Phagwara 144411, India

DOI:

https://doi.org/10.30564/fls.v7i12.10625
Received: 21 June 2025 | Revised: 24 October 2025 | Accepted: 27 October 2025 | Published Online: 20 November 2025

Abstract

This paper explores how Bernardine Evaristo’s Blonde Roots uses language to expose and challenge the ideologies that sustained colonialism and the transatlantic slave trade. By reversing the historical facts and roles of enslaver and enslaved, Evaristo reimagines slavery from an Afrocentric perspective, compelling readers to confront the constructed nature of racial hierarchies. The study draws on ideas from Paul Gilroy, Michel Foucault, and Gayatri Spivak to examine how narrative voice, metaphor, and dialogue in the novel represent trauma, power, and resistance. Using qualitative discourse analysis, the paper focuses on key episodes, such as the Middle Passage, the slave market, and the commodification of women, to show how linguistic patterns reflect the physical and psychological violence of slavery. Through close reading and linguistic annotation, the analysis highlights how Evaristo’s language transforms silence into speech and oppression into resistance. The study argues that Blonde Roots not only revisits the horrors of slavery but also invites a broader reflection on how history and memory are shaped through words. By transforming language into a tool of resistance and remembrance, the novel demonstrates that storytelling can serve as a form of historical repair and social critique, connecting past injustices with ongoing struggles against racial inequality.

Keywords:

Colonial Discourse Analysis; Linguistic Dehumanisation; Narrative and Trauma; Language and Power; Epistemic Violence; Living Memory; Slave Sublime; Commodification and Gendered Violence

References

[1] Klein, H.S., 2010. The Atlantic Slave Trade. Cambridge University Press: Cambridge, UK.

[2] Eltis, D., 1987. Economic Growth and the Ending of the Transatlantic Slave Trade. Oxford University Press: New York, NY, USA.

[3] Fanon, F., 1986. Black Skin, White Masks. Markmann, C.L. (Trans.). Grove Press: New York, NY, USA.

[4] Evaristo, B., 2009. Blonde Roots. Penguin UK: London, UK.

[5] Gilroy, P., 1993. The Black Atlantic: Modernity and Double Consciousness. Harvard University Press: Cambridge, MA, USA.

[6] Anim-Addo, J., Lima, M.H., 2018. The power of the neo-slave narrative genre. Callaloo. 41(1), 1–8. DOI: https://doi.org/10.1353/cal.2018.0000.

[7] Evaristo, B., 2021. Manifesto: On Never Giving Up. Hamish Hamilton: London, UK.

[8] Hemeed, S.H., Alhusseini, H.A.M., 2023. Analysis of the representation of identity in the British novel “Blonde Roots”: A critical discourse analysis of the representation of identity in the British novel. Lark Journal of Philosophy, Linguistics, and Social Sciences. 16(1), 861–878. DOI: https://doi.org/10.31185/lark.Vol1.Iss52.3324

[9] Hayircil, G., 2022. The power of music as cultural memory in Bernardine Evaristo's Blonde Roots. British and American Studies. 28, 181–192. DOI: https://doi.org/10.35923/BAS.28.19

[10] Dagbovie-Mullins, S.A., 2017. Neo-S(k)in trade: White skin, Black bodies in Bernardine Evaristo's Blonde Roots. Palimpsest: A Journal on Women, Gender, and the Black International. 6(1), 1–27. DOI: https://doi.org/10.1353/pal.2017.0001

[11] Iromuanya, J., 2017. Humor as deconstructive apparatus in Bernardine Evaristo's Blonde Roots. Callaloo. 40(4), 174–182. DOI: https://doi.org/10.1353/cal.2017.0142

[12] Newman, J., 2012. The Black Atlantic as dystopia: Bernardine Evaristo's Blonde Roots. Comparative Literature Studies. 49(2), 283–297. DOI: https://doi.org/10.5325/complitstudies.49.2.0283

[13] Burkitt, K., 2012. Blonde Roots, black history: History and the form of the slave narrative in Bernardine Evaristo's Blonde Roots. Journal of Postcolonial Writing. 48(4), 406–417. DOI: https://doi.org/10.1080/17449855.2011.616352

[14] Muñoz-Valdivieso, S., 2022. Cross-genre explorations in Black British narratives of slavery and freedom: Bernardine Evaristo and Andrea Levy. Tulsa Studies in Women's Literature. 41(2), 223–245. DOI: https://doi.org/10.1353/tsw.2022.0018

[15] Foucault, M., 1972. The Archaeology of Knowledge. Sheridan Smith, A.M. (Trans.). Pantheon Books: New York, NY, USA.

[16] Spivak, G.C., 1988. Can the subaltern speak? In: Nelson, C., Grossberg, L. (Eds.). Marxism and the Interpretation of Culture. University of Illinois Press: Urbana, IL, USA. pp. 271–313.

[17] Caruth, C., 1996. Unclaimed Experience: Trauma, Narrative, and History. Johns Hopkins University Press: Baltimore, MD, USA

[18] Van Bleijswijk, C., 2013. “Beyond the Colour Line”: Representation and Transposition in Bernardine Evaristo's Blonde Roots [PhD thesis]. University of the Balearic Islands: Palma, Spain.

[19] Ibekwe, F., 2024. Another Look at a Knowledge Organization Pioneer: Traces of Racism in Paul Otlet's Writings. Knowledge Organization. 51(1), 3–18. DOI: https://doi.org/10.5771/0943-7444-2024-1-3

[20] Brumble, H.D., 1998. Vine Deloria, Jr., creationism, and ethnic pseudoscience. American Literary History. 10(2), 335–346. DOI: https://doi.org/10.1093/alh/10.2.335

[21] Phillipson, R., 1992. Linguistic Imperialism. Oxford University Press: Oxford, UK.

[22] Fairclough, N., 1995. Critical Discourse Analysis: The Critical Study of Language. Longman: London, UK.

[23] Van Dijk, T.A., 2008. Discourse and Power. Palgrave Macmillan: London, UK.

[24] Fagel, B., 1996. Passages from the Middle: Coloniality and Postcoloniality in Charles Johnson's Middle Passage. African American Review. 30(4), 625–634. Available from: https://www.enotes.com/topics/charles-johnson/criticism/johnson-charles-vol-163/brian-fagel-essay-date-winter-1996

[25] Hartman, S.V., 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. Oxford University Press: New York, NY, USA.

[26] Lettman, S.J., 2022. The Slave Sublime: The Language of Violence in Caribbean Literature and Music. University of North Carolina Press: Chapel Hill, NC, USA. DOI: https://doi.org/10.5149/northcarolina/9781469668086.001.0001

[27] Carby, H.V., 1987. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. Oxford University Press: New York, NY, USA.

[28] Spillers, H.J., 1987. Mama's baby, papa's maybe: An American grammar book. Diacritics. 17(2), 65–81. DOI: https://doi.org/10.2307/464747

[29] Hooks, B., 1981. Ain't I a Woman: Black Women and Feminism. South End Press: Boston, MA, USA.

[30] Sharpe, C., 2016. In the Wake: On Blackness and Being. Duke University Press: Durham, NC, USA.

[31] Davis, A.Y., 1981. Women, Race, and Class. Random House: New York, NY, USA.

[32] Kolchin, P., 2016. American Slavery: 1619–1877. Hill and Wang: New York, NY, USA.

[33] Araujo, A.L., 2020. Slavery in the Age of Memory: Engaging the Past. Bloomsbury Academic: London, UK.

Downloads

How to Cite

Fatima, K., & Ajoy. (2025). Deconstructing Colonial Discourse: A Linguistic Analysis of Power and Memory in Bernardine Evaristo’s Blonde Roots. Forum for Linguistic Studies, 7(12), 1415–1427. https://doi.org/10.30564/fls.v7i12.10625