Hanna Kolosova
Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
Inna Borkovska
Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
Kateryna Tuliakova
Kateryna Tuliakova, Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
Yuliia Kornytska
Kateryna Tuliakova, Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
Iryna Kozubska
Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
Svitlana Volkova
Department of ELH, Faculty of Linguistic, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute”, Kyiv 03056 , Ukraine
This study is devoted to analysing the presupposition of proper names, which is interpreted as a guess or implicit assumption in the semantic and functional aspects in the context of the horror genre, in particular, the story “The Lurking Fear” by Howard Phillips Lovecraft. The purpose of the article is to identify the trigger functions of proper names in this genre and classify the dependence of the presupposition level on the background knowledge of the author and the reader. This dependence is divided into “Perfect match”, “Total mismatch” and “Partial match”. Interpreting different types of presuppositional dependencies and understanding their trigger functions allows us to identify when the impact on the reader is most intense and when it decreases. In our study, we consider the gradual projection of presupposition, taking into account the functioning of epistemic presupposition, which can manifest its meaning even through a single word, regardless of the context. We explore trigger functions such as predicting information based on the presence or absence of background knowledge and providing information through discourse referents. Awareness of all the processes of launching a presupposition through individual lexical units is intended to increase the impact on the reader and provoke the maximum approximation of the recipient's interpretation of information to the author's intention. Further research can extend the analysis to other Lovecraft's works, focusing on the horror genre, to get a more complete picture of the use of presupposition in these contexts.
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Copyright © 2024 Hanna Kolosova, Inna Borkovska, Kateryna Tuliakova, Yuliia Kornytska, Iryna Kozubska, Svitlana Volkova
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