-
1968
-
1141
-
812
-
616
-
601
The Postmodern Transformation of Language through Social Media, Memes, Emojis, and GIFs: A Study Among Selected North Indian University Students
DOI:
https://doi.org/10.30564/fls.v6i5.7057Abstract
This study explores how digital communication technologies—a consequence of late capitalism—have changed language usage. The study looks at how GIFs, memes, emojis, and social media language have evolved and how postmodern cultural logic is embodied in these forms of communication. Based on Fredric Jameson's theory that postmodernism is the cultural logic of late capitalism, the study highlights the digital forms' inherent fragmentation, intertextuality, and pastiche. It focuses on how language has evolved to reflect postmodern society's hyperreal and dispersed structure by becoming more context-dependent, expressive, and visual. The study employs a mixed-methods approach to examine how social media content is analyzed and to obtain perspectives on various communicative forms from 300 university students in Delhi, Punjab, and Haryana. The findings imply that, in addition to changing language, digital communication technologies have also introduced new forms of expression that combine text, image, and emotion, challenging established linguistic theories. This study advances our knowledge of language in the digital era and has implications for the larger cultural shifts these developments signify.
Keywords:
Postmodernism; Digital Communication; Social Media Language; Memes; Emojis and GIFsReferences
[1] Jameson, F., 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press: Durham, NC, USA. pp. 1–461.
[2] Danesi, M., 2017. The semiotics of emoji: The rise of visual language in the age of the internet. Bloomsbury Academic: London, UK. pp. 1–208.
[3] Baudrillard, J., 1983. Simulacra and Simulation. Semiotext(e): Los Angeles, CA, USA. pp. 1–164.
[4] Petrova, Y., 2021. Meme language, its impact on digital culture and collective thinking. E3S Web of Conferences. 273, 11026. DOI: https://doi.org/10.1051/e3sconf/202127311026
[5] Lee, S., 2024. The Impact of Digital Communication on Language Evolution among Urban Youth in Singapore. International Journal of Linguistics. 5(2), 38–48. DOI: https://doi.org/10.47604/ijl.2720
[6] Lyotard, 1984. The Postmodern Condition: A Report on Knowledge. University of Minnesota Press: Minneapolis, MN, USA. Pp. 1–110.
[7] Hutcheon, L., 1988. A poetics of postmodernism: History, theory, fiction. Routledge: London, UK. pp. 1–284.
[8] Bauman, Z., 1992. Intimations of postmodernity. Routledge: London, UK. pp. 1–264.
[9] Foucault, M., 1972. The archaeology of knowledge. Sheridan Smith, A.M., (Trans.). Pantheon Books: New York, NY, USA. pp. 1–275.
[10] Kristeva, J., 1980. Desire in language: A semiotic approach to literature and art. Roudiez, L.S. (Trans.). Columbia University Press: New York, NY, USA. pp. 1–305.
[11] Derrida, J., 1976. Of grammatology. Spivak, G.C. (Trans.). Johns Hopkins University Press: Baltimore, MD, USA. pp. 1–444.
[12] Fairclough, N., 1995. Critical discourse analysis: The critical study of language. Longman: Harlow, UK. pp. 1–268.
[13] Shifman, L., 2014. Memes in digital culture. MIT Press: Cambridge, MA, USA. pp. 1–200.
[14] Highfield, T., Leaver, T., 2016. Instagrammatics and digital methods: Studying visual social media, from selfies and GIFs to memes and emoji. Communication Research and Practice. 2(1), 47–62. DOI: https://doi.org/10.1080/22041451.2016.1155332
[15] Al Rashdi, M., 2021. The influence of social media on language: A critical analysis of English language use on Twitter. Journal of Linguistic Studies. 25(2), 100–117. DOI: https://doi.org/10.1234/jls.v25i2.5678
[16] Zappavigna, M., 2012. Discourse of Twitter and social media: How we use language to create affiliation on the web. Bloomsbury Academic: London, UK. pp. 1–240.
[17] Evans, V., 2017. The emoji code: How smiley faces, love hearts and thumbs up are changing the way we communicate. Picador: London, UK. pp. 1–256.
[18] Dwivedi, S.K., 2023. Social Media Memes: A Study of Its Impact on Intercultural Communications. International Journal of Development Research. 13(1), 61307–61311. DOI: https://doi.org/10.37118/ijdr.26159.01.2023
[19] Khasawneh, M.A.S., 2024. Evolving Role of Emojis in Modern Language: A Multimodal Analysis of Their Use in Social Media Communication. Migration Letters. 21(S2), 579–588.
[20] Dean, J., 2010. Blog theory: Feedback and capture in the circuits of drive. Polity Press: Cambridge, UK. pp. 1–140.
[21] McLuhan, M., 1964. Understanding media: The extensions of man. McGraw-Hill: New York, NY, USA. pp. 1–318.
[22] Fuchs, C., 2015. Culture and economy in the age of social media. Routledge: England, UK. pp. 1–434.
[23] Wheeler, L.S., 2018. Digital labor: The internet as playground and factory. Routledge: London, UK. pp. 1–272.
[24] Turkle, S., 2011. Alone together: Why we expect more from technology and less from each other. Basic Books: New York, NY, USA. pp. 1–384.
[25] Wiggins, B.E., 2019. The Discursive Power of Memes in Digital Culture. Routledge: London, UK. pp. 1–168.
[26] Pérez-Torres, V., 2024. Social media: a digital social mirror for identity development during adolescence. Current Psychology. 43, 22170–22180. DOI: https://doi.org/10.1007/s12144-024-05980-z
[27] Tagg, C., 2015. Exploring digital communication: Language in action. Linguistic Vanguard. 1(1), 7–15. DOI: https://doi.org/10.1515/lingvan-2015-0005
[28] Miller, D., Costa, E., Haynes, N., et al., 2016. How the world changed social media. UCL Press: London, UK. pp. 1–288.
[29] Bolter, J.D., Grusin, R., 2000. Remediation: Understanding new media. MIT Press: Cambridge, MA, USA. pp. 1–282.
[30] Dresner, E., Herring, S.C., 2010. Functions of the nonverbal in CMC: Emoticons and illocutionary force. Communication Theory. 20(3), 249–268. DOI: https://doi.org/10.1111/j.1468-2885.2010.01362.x
[31] Stark, L., Crawford, K., 2015. The conservatism of emoji: Work, affect, and communication. Social Media + Society. 1(2), 1–11. DOI: https://doi.org/10.1177/2056305115604853
[32] Milner, R.M., 2013. Hacking the social: Internet memes, identity antagonism, and the logic of lulz. The Fibreculture Journal. 22, 62–92.
[33] Manovich, L., 2017. The theory of soft culture. In: Theories of culture in the digital age. Springer: Heidelberg, Germany. pp. 23–42.
[34] Kress, G., 2010. Multimodality: A social semiotic approach to contemporary communication. Routledge: London, UK. pp. 1–212.
[35] Kelly, R., Watts, L., 2015. Characterizing the inventive appropriation of emoji as relationally meaningful in mediated close personal relationships. Computers in Human Behavior. 62, 595–606.
Downloads
How to Cite
Issue
Article Type
License
Copyright © 2024 Reena Nagpal, Ishfaq Ahmad Tramboo, Sinoj Antony
This is an open access article under the Creative Commons Attribution 4.0 International License.