Discourse of a Historical Person: The Image of Genghis Khan in Kazakh, Turkish and Kyrgyz Literature

Authors

  • Anar Ashirbekova

    Languages development center, Karaganda Medical University, Gogol St. 40, Karaganda 100000, Kazakhstan
  • Aitbay Zhumagulov

    Faculty of Philology, Karaganda Buketov University, Universitet St. 28, Karaganda 100028, Kazakhstan
  • Adil Zhakulayev

    Bolashaq Academy, Yerubaeva St 16/6, Karaganda 100000, Kazakhstan
  • Zhanar Rustemova

    Faculty of Philology, Karaganda Buketov University, Universitet St. 28, Karaganda 100028, Kazakhstan
  • Aizat Ibraeva

    Faculty of Philology, Abai Kazakh National Pedagogical University, Dostyk Ave. 105, Almaty 050010, Kazakhstan
  • Botakoz Tleubekova

    Faculty of Philology, Abai Kazakh National Pedagogical University, Dostyk Ave. 105, Almaty 050010, Kazakhstan
  • Akgul Zhussupova

    Faculty of Philology, Al-Farabi Kazakh National University, Al-Farabi Ave. 71, Almaty 050040, Kazakhstan
  • Kamshat Toleubayeva

    Faculty of Philology, Karaganda Buketov University, Universitet St. 28, Karaganda 100028, Kazakhstan

DOI:

https://doi.org/10.30564/fls.v7i3.8595
Received: 29 January 2025 | Revised: 21 February 2025 | Accepted: 24 February 2025 | Published Online: 14 March 2025

Abstract

The purpose of this study is to compare the portrayal of Genghis Khan, a significant world historical figure, in the works of Kazakh, Turkish, and Kyrgyz writers. Specifically, it examines Rakhimzhan Otarbayev’s Tears of Genghis Khan, Abdullah Ziya Kozanoglu’s Red Flag, and Chingiz Aitmatov’s White Cloud of Genghis Khan. This study employs postcolonial theory and the method of interpretation to analyze how each author presents Genghis Khan’s image within their respective cultural and historical contexts. The research highlights the differences in how Genghis Khan’s personality and legacy are depicted across these works. In Tears of Genghis Khan, Kazakh writer Rakhimzhan Otarbayev explores the human aspects of Genghis Khan, portraying not only his fierce and dominant persona but also his internal struggles, emotional suffering, and existential dilemmas. In contrast, Turkish writer Abdullah Ziya Kozanoglu’s Red Flag presents a nationalist image of Genghis Khan, emphasizing his role as a unifying leader of the Turkic world. Meanwhile, in White Cloud of Genghis Khan, Kyrgyz writer Chingiz Aitmatov delves into the psychological dimensions of Genghis Khan, reflecting on his inner conflicts, vision, and moral dilemmas. This comparative study demonstrates how historical narratives are shaped by national perspectives and cultural influences. It also reveals how the legacy of Genghis Khan continues to be a subject of debate and reinterpretation, reflecting broader historical and ideological shifts in Kazakh, Turkish, and Kyrgyz literature.

Keywords:

Genghis Khan; Historical Discourse; Postcolonialism; Historical Figure; Interpretation

References

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How to Cite

Ashirbekova, A., Zhumagulov, A., Zhakulayev, A., Rustemova, Z., Ibraeva, A., Tleubekova, B., Zhussupova, A., & Toleubayeva, K. (2025). Discourse of a Historical Person: The Image of Genghis Khan in Kazakh, Turkish and Kyrgyz Literature. Forum for Linguistic Studies, 7(3), 685–696. https://doi.org/10.30564/fls.v7i3.8595

Issue

Vol. 7 , Iss. 3 (March 2025)

Article Type

Article

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Copyright © 2025 Anar Ashirbekova, Aitbay Zhumagulov, Adil Zhakulayev, Zhanar Rustemova, Aizat Ibraeva, Botakoz Tleubekova, Akgul Zhussupova, Kamshat Toleubayeva

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This is an open access article under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License.