-
1856
-
1769
-
1621
-
1550
-
1491
Article Skinhead Trends in France and Their Rituals: A Psycho-Sociological Approach to Their Apolitical Concerts
DOI:
https://doi.org/10.30564/jpr.v6i4.7541Abstract
This paper is a theoretical comment based on long participant observation in France. While it is not a detailed presentation of the empirical results, it does summarize its main lines. The aim is to highlight the nuances of commitment, the collective memory, and the intergroup relationships that structure concrete and significant interactions among French skinheads. Three processes explain the development of apolitical skinhead concerts in France since the late 1990s: a. the establishment of resistance through rituals and the affirmation of belonging to the same community; b. the need to experience a hypnotic crowd trance; c. the ambivalence of these communities in the face of intercultural relationships and mixed global music. These three psycho-sociological characteristics influence the French replication of a typically and historically British youth culture. The skinhead rituals observed at apolitical concerts are reproductive, conservative, fetishist, ritualistic. They aim to establish the broad outlines of common stylistic identity. Moreover, the social representation of the skinhead is like a heritage, which allows the actualization of a memory of the provocation of violence and anger. Finally, this social representation is linked to a continual dissemination of its associated musical styles specific to these circles (ska, rocksteady, early reggae, street-punk, and Oi!).
Keywords:
Anger; Apolitical Concerts; Music; Crowd Trance; Psycho-Sociological Approach; SkinheadReferences
[1] Bloch, H., Niederhoffer, A., 1958. The Gang: a Study in Adolescent Behaviour. University of Virginia: Philosophical Library: Charlottesville.
[2] Gil, D.D., Lopez, A.F., 2017. Violent Urban Gangs. Main Perpetrators in Hate Crimes. In: Elósegui, M., Hermida, C. (Eds.). Racial Justice. Policies and Courts' Legal Reasoning in Europe. Springer International Publishing: Cham, Switerland. pp. 131–153. DOI: https://doi.org/10.1007/978-3-319-53580-7_6
[3] Louis, P., Prinaz, L., 1990. Skinheads, Taggers, Zulus and Co. La Table Ronde: Paris.
[4] Monod, J., 1968. Les Barjots. Essai d'ethnologie des bandes de jeunes. UGE: Paris.
[5] Short, J.F., Hugues, L.A. (Eds.), 1992. Studying Youth Gangs. Altamira Press: Lenham.
[6] Simi, P., Smith, L., Reeser, A.M.S., 2008. From punk kids to public enemy number one. Deviant Behavior. 29(8), 753–774. DOI: https://doi.org/10.1080/01639620701873905
[7] Valasik, M., Reid, S.E., 2023. Alt-right gangs and far-right extremists: From the margins to the mainstream. Sociology Compass. 17(6). DOI: https://doi.org/10.1111/soc4.13094
[8] Clarke, J., 1973. The Skinheads and the Study of Youth Culture. Stencilled Occasionl Papers, No.23, CCCS, University of Birmingham: Birmingham.
[9] Clarke, J., 2003. The Skinheads and the magical recovery of community. In: Hall, S., Jefferson, T. (Eds.). Resistance through rituals: Youth subcultures in post-war Britain. (1st edition: 1976). Routledge/Taylor and Francis: Oxon. pp. 99–102.
[10] Cohen, P., 1972. Sub-Cultural Conflict and Working-Class Community. Working Papers in Cultural Studies 2, CCCS. University of Birmingham: Birmingham.
[11] Barreyre, J.-Y., 1992. Les Loubards, une approche anthropologique. L'Harmattan: Paris.
[12] Bischoff, J.-L., 2007. Tribus musicales, spiritualité et fait religieux. Enquête sur les mouvances rock, punk, skinhead, gothique, hardcore, techno, hip-hop. L'Harmattan: Paris.
[13] Maffesoli, M., 1988. Le Temps des tribus. Le déclin de l'individualisme dans les sociétés de masse. Klincksieck: Paris.
[14] Olmo Pernas, S., 2022. Influencia de la estética skinhead en la moda actual. Thesis for the master's degree in industrial management of the fashion. University of Corunna: La Coruña.
[15] Waldner, L.K., Martin, H., Capeder, L., 2006. Ideology of Gay Racialist Skinheads and Stigma Management Techniques. Journal of Political and Military Sociology. 34(1), 165–184. Available from: https://www.jstor.org/stable/45294190
[16] Martinez, B.A., Jr., Selepak, A., 2014. The sound of hate: exploring the use of hatecore song lyrics as a recruiting strategy by the White Power Movement. Intercom: Revista Brasileira de Ciências da Comunicação. 37(2). DOI: https://doi.org/10.1590/rbcc.v37i2.2114
[17] François, S., 2022. Une avant-garde d'extrême droite. Contre-culture, conservatisme radical et tentations modernistes. Éd. de la Lanterne: Lyon, France.
[18] Seca, J.-M., 1988. Vocations rock. Klincksieck: Paris.
[19] Hebdige, D., 1979. Subculture. The Meaning of Style. Terence Hawkes: New York, NY, USA; London, UK.
[20] Johansson, T., Andreasson, J., Mattsson, C., 2017. From Subcultures to Common Culture: Bodybuilders, Skinheads, and the Normalization of the Marginal. Sage open. 7(2). DOI: https://doi.org/10.1177/2158244017706596
[21] Johansson, T., 2017. Youth studies in transition: theoretical explorations. International Review of Sociology. 27(3), 510–524. DOI: https://doi.org/10.1080/03906701.2016.1261499
[22] Hall, S., Jefferson, T. (Eds.), 2003. Resistance through rituals. Youth subcultures in post-war Britain. (1st edition: 1976). Routledge/Taylor and Francis: Oxon.
[23] Bastide, R., 1975. Le Sacré sauvage et autres essais. Payot: Paris.
[24] Lescop, G., 2014. Les Skinheads, du phénomène de mode au phénomène social [Ph.D. Dissertation in sociology]. Center of research: C3S, University of Franche-Comté: Besançon.
[25] Lescop, G., 2019. Le double je. In: Robene, L., et Serre, S. (Eds.). Underground! Chroniques de recherche en terres punk. Riveneuve: Paris. pp. 63–101.
[26] Anahita, S., 2006. Blogging the borders: Virtual skinheads, hypermasculinity, and heteronormativity. Journal of political and military sociology. 34(1), 143–164. Available from: http://www.jstor.org/stable/45294189
[27] Beauchez, J., 2021. Becoming a skinhead: An ethno-biography of brutalized life and reflective violence. Sociological Review. 69(6), 1179–1195. DOI: https://doi.org/10.1177/00380261211029456
[28] Bird, J.M., Karageorghis, C., 2020. A Grounded Theory of Music-Video Use in an Exercise Facility. Research Quarterly for Exercise and Sport. 91(2); 445–459. DOI: https://doi.org/10.1080/02701367.2019.1680788
[29] Ekins, R., 2011. The Rediscovery and Resurrection of Bunk Johnson—a Grounded Theory Approach: A case study in jazz historiography. Grounded Theory Review: An International Journal. 10(3), 27–54. Available from: https://groundedtheoryreview.com/2011/12/20/the-rediscovery-and-resurrection-of-bunk-johnson-a-grounded-theory-approach-a-case-study-in-jazz-historiography-2/
[30] Gaudette, T., Scrivens, R., Venkatesh, V., 2023. Disengaged but Still Radical? Pathways Out of Violent Right-Wing Extremism. Terrorism and Political Violence. 35(8), 1775–1800. DOI: https://doi.org/10.1080/09546553.2022.2082288
[31] Young, K., Craig, L., 1997. Beyond white pride: Identity, meaning and contradiction in the Canadian skinhead subculture. Canadian review of sociology and anthropology. 34(2), 175–206. DOI: https://doi.org/10.1111/j.1755-618X.1997.tb00206.x
[32] Seca, J.-M., 2001. Les Musiciens underground. PUF: Paris.
[33] Weidner, B.N., 2020. A Grounded Theory of Musical Independence in the Concert Band. Journal of Research in Music Education. 68(1), 53–77. DOI: https://doi.org/10.1177/0022429419897616
[34] Worley, M., 2013. Oi! Oi! Oi!: Class, Locality, and British Punk. Twentieth Century British History. 24(4), 605–636. DOI: https://doi.org/10.1093/tcbh/hwt001
[35] Baron, Stephen, W., 1997. Canadian male street skinheads: Street gang or street terrorists? Canadian review of sociology and anthropology. 34(2), 125–154. DOI: https://doi.org/10.1111/j.1755-618X.1997.tb00204.x
[36] Brown, T.S., 2004. Subcultures, pop music and politics: Skinheads and ‘Nazi rock' in England and Germany. Journal of Social History. 38(1), 157–178. Available from: https://www.jstor.org/stable/3790031
[37] Campbell, A., 2006. The search for authenticity: An exploration of an online skinhead newsgroup. New Media and Society 8(2), 269–274. DOI: https://doi.org/10.1177/1461444806059875
[38] Gaudette, T., Srivens, R., Venkatesh, V., 2022. The Role of the Internet in Facilitating Violent Extremism: Insights from Former Right-Wing Extremists. Terrorism and Political Violence. 34(7), 1339–1356. DOI: https://doi.org/10.1080/09546553.2020.1784147
[39] Gilberta, J., Elley, B., 2020. Shaved heads and sonnenrads: comparing white supremacist skinheads and the alt-right in New Zealand. Kōtuitui: New Zealand Journal of Social Sciences Online. 15(2), 280–294. DOI: https://doi.org/10.1080/1177083X.2020.1730415
[40] Buford, B., 1992. Among the Thugs. The Experience, and the Seduction, of Crowd Violence. Secker and Warburg: London.
[41] Petrova, Y., 1997. Les skinheads: solidarité de classe ou combat national. Agora débats/Jeunesses. 9(1), 76–93. DOI: https://doi.org/10.3406/agora.1997.1131
[42] Brake, M., 1974. The Skinheads. An English Working-Class Subculture. Youth and Society 6(2), 179–200. DOI: https://doi.org/10.1177/0044118X7400600203
[43] Marmysz, J., 2013. The Lure of the Mob: Contemporary. Cinematic Depictions of Skinhead Authenticity. Journal of Popular Culture. 46(3), 626–646. DOI: https://doi.org/10.1111/jpcu.12041
[44] Stratton, J., 2012. The Travels of Johnny Reggae: From Jonathan King to Prince Far-I. From Skinhead to Rasta. Communication and critical-cultural Studies. 9(1), 67–86. DOI: https://doi.org/10.1080/14791420.2011.651480
[45] Wood, R.T., 1999. The indigenous, nonracist origins of the American skinhead subculture. Youth and Society. 31(2), 131–151. DOI: https://doi.org/10.1177/0044118X99031002001
[46] Lescop, G., 2003. “Honnie soit la oi!”: naissance, émergence et déliquescence d'une forme de protestation et musicale. Volume! 2(1), 109–128. DOI: https://doi.org/10.4000/volume.2344
[47] Lescop, G., 2007. De la fascination musicale: stratégies et représentations de l'extrême droite. In: Seca, J.-M. (Ed.). Musiques populaires underground et représentations du politique. InterCommunications/EME: Cortil-Wodon, Belgium. pp. 244–271.
[48] Lescop, G., 2017. “Too much fighting on the dance floor”, Retour sur une époque troublée au travers du Ghost Town des Specials. Actes du colloque international organisé à l'université de Rouen Normandie, 1–3 June 2017. Available from: https://journals.openedition.org/criminocorpus/4191
[49] Lescop, G., 2012. Skinhead: du reggae au Rock Against Communism, d'une contre-culture à une “contre-contre-culture” sous influence musicale. Volume! 9(1), 129–149. DOI: https://doi.org/10.4000/volume.2963
[50] Orfali, B., 2003. Des skinheads dans la ville: Jeunesse construite, jeunesse déconstruite. Cahiers internationaux de sociologie. 115(2), 269–271. DOI: https://doi.org/10.3917/cis.115.0269
[51] Seca, J.-M., (Ed.), 2007. Musiques populaires underground et représentations du politique. InterCommunications: Cortil-Wodon, Belgium.
[52] Adaire, E., 2019. “This Other Germany, the Dark One”: Post-Wall Memory Politics Surrounding the Neo-Nazi Riots in Rostock and Hoyerswerda. German Politics and Society. 37(4), 43–57. DOI: https://doi.org/10.3167/gps.2019.370405
[53] Botsch, G., 2012. From Skinhead-Subculture to Radical Right Movement: The Development of a “National Opposition” in East Germany. Contemporary European History. 21(4), 553–573. Available from: https://www.jstor.org/stable/23270685
[54] Braunthal, G., 2009. Neo-Nazi Groups, Skinheads, and Violence. Palgrave Macmillan UK: London.
[55] Bulli, G., 2020. The Long Evolution of Extreme Right Music in Italy and Germany. Partecipazione e Conflitto. 13(1), 207–231. DOI: https://doi.org/10.1285/i20356609v13i1p207
[56] Hayton, J., 2015. Krawall in der ZionsKirche: Skinhead Violence and Political Legitimacy in the GDR. European History Quarterly. 45(2), 336–356. DOI: https://doi.org/10.1177/0265691415571535
[57] Ventsel, A., 2010. “Our Beer is Better Than Theirs”: Sub-cultural Comics as a Joking Relationship with Identity”. Folklore: Electronic Journal of Folklore. 46, 143–160. DOI: https://doi.org/10.7592/FEJF2010.46.ventsel
[58] Watts, M.W., 2001. Aggressive Youth Cultures and Hate Crime: Skinheads and Xenophobic Youth in Germany. American Behavioral Scientist. 45(4), 600–615. DOI: https://doi.org/10.1177/00027640121957376
[59] Weiss, P.-U., 2015. Civil Society from Underground: The Alternative Antifa Network in GDR. Journal of Urban History. 41(4), 647–664. DOI: https://doi.org/10.1177/0096144215579354
[60] Camus, J.-Y., 1995. Les Skinheads: une contre-culture néo-nazie. La Pensée. 304, 127–138.
[61] François, S., 2011. Réflexions sur le mouvement gabberskins. Une première approche sociologique. Les Cahiers de psychologie politique [Online]. 18. DOI: https://doi.org/10.34745/numerev_636
[62] Peralva, A. 1994. Être skinhead. Une identité politique? In: Chevallier, J. (Ed.). L'Identité politique. PUF: Paris. pp. 94–110.
[63] Peralva, A. 1994. La violence skinhead. In: Perrineau, P. (Ed.). L'Engagement politique. Déclin ou mutation? Presses de Science Po: Paris. pp. 141–157.
[64] Beauchez, J., 2014. La rue comme héroïne: expériences punk et skinhead en France. Anthropologica. 56(1), 193–204. Available from: https://www.jstor.org/stable/24469650
[65] Petrova, Y., 1998. Skinheads ou le racisme des jeunes exclus. Diversité. 115(1), 123–147. DOI: https://doi.org/10.3406/diver.1998.6822
[66] Nayak, A., 1999. “Pale Warriors”: Skinhead Culture and the Embodiment of White Masculinities. In: Brah, A., Hickman, M.J., Mac an Ghaill, M. (Eds.). Thinking Identities. Explorations in Sociology. Palgrave Macmillan: London. pp. 71–99. DOI: https://doi.org/10.1057/9780230375963_4
[67] Nayak, A., 2010. Race, Affect, and Emotion: Young People, Racism, and Graffiti in the Postcolonial English Suburbs. Environment and Planning A: Economy and Space. 42(10), 2370–2392. DOI: https://doi.org/10.1068/a42177
[68] Pollard, J., 2016. Skinhead culture: the ideologies, mythologies, religions and conspiracy theories of racist skinheads. Pattern of prejudice. 50(4–5), 398–419. DOI: https://doi.org/10.1080/0031322X.2016.1243349
[69] Preston, J., 2007. Whiteness and class in education. Springer: Dordrecht.
[70] Shafer, R., 2013. The soundtrack of neo-fascism: youth and music in the National Front. Pattern of Prejudice. 47(4–5), 458–482. DOI: https://doi.org/10.1080/0031322X.2013.842289
[71] Strübel, J., Sklar, M., 2022. Fred Perry: Polos for All. In: Conner, C.T. (Ed.). Subcultures. Emerald Insight: Bingley. pp. 73–90.
[72] Valdés-Miyares, J.R., 2018. The Strategies of Ultranationalist Discourse: This Is England and Brexit. Open Cultural Studies. 2(1), 50–60. DOI: https://doi.org/10.1515/culture-2018-0006
[73] Weiner, N., 2018. Resistance through realism: Youth subculture films in 1970s (and 1980s) Britain. European Journal of Cultural Studies. 21(2), 165–188. DOI: https://doi.org/10.1177/1367549415603376
[74] Funk-Hennigs, E., 1995. Skinheadmusik, OI-Musik, Nazi-Rock?”. Jahrbuch für Volksliedforschung. 40, 84–100. DOI: https://doi.org/10.2307/847917
[75] Knight, N., 1982. Skinhead. Omnibus Press: London.
[76] Marshall, G., 1991. Spirit Of 69: a skinhead bible. S.T. Publishing: Scotland. Lockerbie.
[77] Marshall, G., 2011. Les hard mods. In: Hewitt, P. (Ed.). Mods, une anthologie: speed, vespas and rhythm'n' blues, [1rst Edition in English Language: 1999]. Payot et Rivages: Paris. pp. 269–272.
[78] Osgerby, B., 2012. “Bovver” Books of the 1970s: Subcultures, Crisis and “Youth-Sploitation” Novels. Contemporary British History. 26(3), 299–331. DOI: https://doi.org/10.1080/13619462.2012.703011
[79] Snelson, T., Sutton, E., 2013. A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Fradley, M., Godfrey, S., Willimas, M. (Eds.). Shane Meadows: Critical Essays. Edinburgh University Press: Edinburgh. pp. 111–126. DOI: https://doi.org/10.3366/edinburgh/9780748676392.003.0008
[80] Souquet, L., 2017. Kitsch, classes sociales et multiculturalisme dans My Beautiful Laundrette (Stephen Frears, 1985). Revue Lisa E-journal. 15(1). DOI: https://doi.org/10.4000/lisa.9054
[81] Stratton, J., 2014. Judge Dread: Music Hall Traditionalist or Postcolonial Hybrid. Contemporary British History. 28(1), 81–102. DOI: https://doi.org/10.1080/13619462.2014.888954
[82] Da Silva, R., Ventura, J.P., de Carvalho, C.M., et al., 2022. “From street soldiers to political soldiers”: assessing how extreme right violence has been criminalised in Portugal. Critical Studies on Terrorism. 15(1), 102–120. DOI: https://doi.org/10.1080/17539153.2022.2031134
[83] Adán-Revilla, T., 1996. Ultras y skinheads: Imágenes, estilos y conflictos de las subculturas juveniles en España. Nobel Ed: Oviedo.
[84] Brading, B., 2022. “We are the Others”: A literary analysis of the rise, fall and resurrection of Ultima Thule's Viking-rock. Punk and Post-Punk. 11(1), 7–33. DOI: https://doi.org/10.1386/punk_00109_1
[85] Mattsson, C., Johansson, T., 2023. Neo-Nazi Violence and Ideology: Changing Attitudes toward Violence in Sweden's Skinhead and Post-Skinhead Eras. Terrorism and Political Violence. 35(1), 104–117. DOI: https://doi.org/10.1080/09546553.2021.1871898
[86] Mattsson, C., Johansson, T., 2023. The past and the present: Following in the footsteps of a neo-Nazi movement in a rural Sweden school. Power and Education. DOI: https://doi.org/10.1177/17577438231167549
[87] Mattson, C., Johansson, T., 2021. “We Are the White Aryan Warriors”: Violence, Homosociality, and the Construction of Masculinity in the National Socialist Movement in Sweden. Men and Masculinities. 24(3), 393–410. DOI: https://doi.org/10.1177/1097184X20985582
[88] Mattsson, C., Johansson, T., 2021. From rowdy skinheads to middle-aged parents. In: Mattsson, C., Johansson, T. (Eds.). Radicalization and disengagement in neo-nazi movements: social psychological perspectives. Routledge: London. pp. 23–37.
[89] Perho, S., 2000. The racist youth subculture: The case of the “little skinheads” of Joensuu. Young. 8(3), 17–36. DOI: https://doi.org/10.1177/110330880000800302
[90] Karpantschof, R., Mikkelsen, F., 2017. The Rise and Transformation of the Radical Right Movement in Denmark, 1980–2015. Studies in conflicts and Terrorism. 40(8), 712–730. DOI: https://doi.org/10.1080/1057610X.2016.1234313
[91] Kolomoets, T., Liutikov, P., Larkin, M., 2017. Informal youth associations as a business reality. Baltic Journal of Economic Studies. 3(5), 294–297. DOI: https://doi.org/10.30525/2256-0742/2017-3-5-294-297
[92] Daniel, O., 2020. Music Subculture versus Class Revolutionaries: Czech Antifascism in the Postsocialist Era. Fascism. 1–2, 56–74. DOI: https://doi.org/10.1163/22116257-09010008
[93] Pixová, M., 2007. Geography of subcultures: punks and non-racist skinheads in Prague. Acta Universitatis Carolinae. Geographica. 42(1–2), 109–125. Available from: https://www.academia.edu/23139029/Geography_of_subcultures_punks_and_non_racist_skinheads_in_Prague
[94] Prokůpková, V., 2021. The Limits of Tolerance for Intolerance. Young Democracy and Skinhead Violence in Czechia in the 1990s. Europe-Asia Studies. 73(10), 1771–1796. DOI: https://doi.org/10.1080/09668136.2021.1933390
[95] Novotná, H., Heřmanský, M., 2016. Shared enemies, shared friends. The relational character of subcultural ideology in the case of Czech punks and skinheads. In: The Subcultures Network (Ed.). Fight back. Punk, politics and resistance. Manchester University Press: Manchester. pp. 170–185.
[96] Smolik, J., Novák, P., 2019. Roots of the Czechoslovak skinheads: Development, trends and politics. Human Affairs. 29(2), 157–173. DOI: https://doi.org/10.1515/humaff-2019-0013
[97] Michela, M., 2022. Punk and Oi! Rebellion? Music and Commodification of the Youth Subcultures in Czechoslovakia at the Turn of the I980-90s. Hudební Věda. 59(2–3): 315+. DOI: https://doi.org/10.54759/MUSICOLOGY.2022-0204
[98] Sela-Shayovitz, R., 2011. Neo-Nazis and moral panic: The emergence of neo-nazi youth gangs in Israel. Crime, Media, Culture. 7(1), 67–82. DOI: https://doi.org/10.1177/1741659010393937
[99] Kyurkchieva, I., 2023. Football and discrimination—a case study from Bulgaria. Studia ethnologica croatica. 35(1), 17–30. DOI: https://doi.org/10.17234/SEC.35.3
[100] Blazak, R., 2024. Revisiting the White Boys from Portland to Ukraine: Anomie and Right-Wing Extremism. American Behvioral Scientist. 68(2), 216–240. DOI: https://doi.org/10.1177/00027642221108940
[101] Blazak, R., 2001. White Boys to Terrorist Men: Target Recruitment of Nazi Skinheads. American Behvioral Scientist. 44(6), 982–1000. DOI: https://doi.org/10.1177/00027640121956629
[102] Blee, K., Creasap, K.A., 2010. Conservative and Right-Wing Movements. Annual Review of Sociology. 36, 269–286. DOI: https://doi.org/10.1146/annurev.soc.012809.102602
[103] Bowen, D., 2008. Patterns of Skinhead Violence. Ph.D dissertation in sociology. University of New Hampshire: Durham.
[104] Civil Rights Division, 2008. Neo-Nazi Skinheads: A 1990 status report”. Terrorism. 13(3), 243–275. DOI: https://doi.org/10.1080/10576109008435835
[105] Cooter, A.M., 1999. Sounds of hate: White power rock and roll and the neo‐nazi skinhead subculture. Terrorism and Political Violence. 11(2), 111–140. DOI: https://doi.org/10.1080/09546559908427509
[106] Cooter, A.M., 2006. Neo-Nazi normalization: The skinhead movement and integration into normative structures. Sociological Inquiry. 76(2), 145–165. DOI: https://doi.org/10.1111/j.1475-682X.2006.00149.x
[107] Grossholz, J.M., Pieri, Z.P., 2023. “A Skinhead at Heart with a Hate-Filled Mind”: Understanding the Themes Present in the White Power Music Scene. Studies in Conflict and Terrorism. 46(8), 1304–1322. DOI: https://doi.org/10.1080/1057610X.2020.1862818
[108] Hicks, W.L., 2004. Skinheads: A Three-Nation Comparison. Journal of Gang Research. 11(2), 51–74. Available from: https://www.ojp.gov/ncjrs/virtual-library/abstracts/skinheads-three-nation-comparison
[109] Madfis, E., Vysotsky, S., 2020. Exploring Subcultural Trajectories: Racist Skinhead Disengagement, Desistance, and Countercultural Value Persistence. Sociological Focus. 53(3), 221–235. DOI: https://doi.org/10.1080/00380237.2020.1782791
[110] Messner, B., Jipson, A., Becker, P., et al., 2007. The hardest hate: A sociological analysis of country hate music. Popular Music and Society. 30(4), 513–531. DOI: https://doi.org/10.1080/03007760701546380
[111] Reid, S.E, Valasik, M., 2018. Ctrl+ALT-RIGHT: reinterpreting our knowledge of white supremacy groups through the lens of street gangs. Journal of Youth Studies. 21(10), 1305–1325. DOI: https://doi.org/10.1080/13676261.2018.1467003
[112] Valasik, M., Reid, S.E., 2019. The Schrödinger's Cat of Gang Groups: Can Street Gangs Inform Our Comprehension of Skinheads and Alt-Right Groups? Deviant Behavior. 40(10), 1245–1259. DOI: https://doi.org/10.1080/01639625.2018.1479916
[113] Collins-Dexter, B., 2022. Black Skinhead: Reflections on Blackness and Our Political Future. Celadon Books: New York, NY.
[114] Borgeson, K., Valeri, R., 2017. Skinhead History, Identity, and Culture. Routledge: New York, NY.
[115] Pieslak, J., 2018. Radicalism and Music: An Introduction to the Music Cultures of al-Qa'ida, Racist Skinheads, Christian-affiliated Radicals, and Eco-animal Rights Militants. Wesleyan University Press: Middletown, CT.
[116] Sarabia, D., Shriver, T.E., 2004. Maintaining collective identity in a hostile environment: Confronting negative public perception and fractional divisions within the skinhead subculture. Sociological Spectrum. 24(3), 267–294. DOI: https://doi.org/10.1080/02732170390258614
[117] Nadeau, F., 2020. Parcours d'engagement dans l'extrême droite québécoise: Une ethnographie (2014–2017). Ph.D in Urban Studies. Québec: Institut national de la Recherche scientifique/Université du Québec: Centre urbanisation, culture, société. Available from: https://www.proquest.com/docview/2812064758/abstract/81AA76C801514EF4PQ/1
[118] Moore, D., 1990. Drinking, the construction of ethnic identity and social process in a Western Australian youth subculture. British Journal of Addiction. 85(10), 1265–1278. DOI: https://doi.org/10.1111/j.1360-0443.1990.tb01603.x
[119] Arnold, R., 2010. Visions of Hate: Explaining Neo-Nazi Violence in the Russian Federation. Problems of Post-Communism. 57(2), 37–49. DOI: 10.2753/PPC1075-8216570203
[120] Arnold, R., 2014. Systematic Racist Violence in Russia between “Hate Crime” and “Ethnic Conflict”. Theoretical Criminology. 19(2), 239–256. DOI: https://doi.org/10.1177/1362480615581102
[121] Pilkington, H., Omelchenko, E., Garifzianova, A., 2010. Russia's Skinheads: Exploring and Rethinking Subcultural Lives. Routledge: London.
[122] Pilkington, H., 2010. No Longer “On Parade”: Style and the Performance of Skinhead in the Russian Far North. The Russian Review. 69(2), 187–209. DOI: https://doi.org/10.1111/j.1467-9434.2010.00562.x
[123] Tarasov, A., 2001. Offspring of Reforms—Shaven Heads Are Skinheads: The New Fascist Youth Subculture in Russia. Russian Politics and Law. 39(1), 43–89. DOI: https://doi.org/10.2753/RUP1061-1940390143
[124] Tarasov, A., 2008. Changing Subcultures: Observations on Skinheads. Russian Politics and Law. 46(1), 31–49. DOI: https://doi.org/10.2753/RUP1061-1940460103
[125] Varga, M., 2008. How Political Opportunities Strengthen the Far Right: Understanding the Rise in Far-Right Militancy in Russia. Europe-Asia Studies. 60(4), 561–579. DOI: https://doi.org/10.1080/09668130801999854
[126] Varga, M., 2019. Russia's Far-Right Violence Wave. Tracing the Development of Terror in a National-Socialist Organization. Problems of Post-Communism. 66(3), 200–210. DOI: https://doi.org/10.1080/10758216.2017.1389613
[127] Wales, O., 2016. Skinheads and Nashi: What are the reasons for the rise of nationalism amongst Russian youth in the post-Soviet period? Slovo. 28(2), 106–130. DOI: https://doi.org/10.14324/111. 0954-6839.048
[128] Worger, P., 2012. A mad crowd: Skinhead youth and the rise of nationalism in post-communist Russia. Communist and Post-Communist Studies. 45(3–4), 268–278. DOI: https://doi.org/10.1016/j.postcomstud.2012.07.015
[129] Humeau, P., 2021. Sociologie des punks français. CNRS éditions: Paris.
[130] Moscovici, S., 1985. The Age of the Crowd: A Historical Treatise on Mass Psychology [1st edition in French language: 1981]. Cambridge University Press: Cambridge.
[131] Blacking, J., 2004. “Let all the World hear all the World's Music”: Popular Music Making and Music Education. In: Frith, S. (Ed.). Popular Music. Critical Concepts in Media and Cultural Studies (Vol. 4). Routledge: Abington-Oxon/New York. pp. 7–31.
[132] Boniface, P., 2010. Football et mondialisation. Armand Colin: Paris.
[133] Durkheim, E., 1912. Les Formes élémentaires de la vie religieuse. PUF: Paris.
[134] Frith, S., 2007. La musique live, ça compte…. Réseaux. 141–142(2–3), 179–201. Available from: https://www.cairn.info/revue-reseaux1-2007-2-3-page-179.htm
[135] Giulianotti, R., Robertson, R., 2004. The globalization of football: a study in the glocalization of the “serious life”. The British Journal of Sociology. 55(4), 545–568. DOI: https://doi.org/10.1111/j.1468-4446.2004.00037.x
[136] Kaiser, M., 2012. Les Politiques publiques liées aux musiques populaires en France: la dimension culturelle en question. Ph.D dissertation in sociology. Center of research: Communication, Information, Médias, University of Paris-III: Paris.
[137] Maisonneuve, J., 1999. Les conduites rituelles. PUF: Paris.
[138] Poli, R., Ravanel, L., Besson, R., 2018. World football expatriates: global study 2018. CIES Football Observatory Monthly Report. 35 (May). Available from: https://football-observatory.com/World-football-expatriates-global-study-2018.
[139] Seca, J.-M., 2013. The Policy of Electro-Amplified Popular Music in France: the Liberal Context and the Regulation of Rebellious Cultures. In: Deflem, M. (Ed.). Music and Law. Sociology of Crime, Law and Deviance, vol. 18, edited by. Emerald/The JAI Press: Bingley. pp. 103–127. DOI: https://doi.org.10.1108/S1521-6136(2013)0000018008
[140] Segalen, M., 1998. Rites et rituels contemporains. Nathan: Paris.
[141] Deleuze, G., Guattari, F., 1972. L'Anti-Œdipe. Capitalisme et schizophrénie. Éditions de Minuit: Paris.
[142] Dufour, D.-R., 2007. Le Divin Marché. La révolution culturelle libérale. Denoël: Paris.
[143] Boulakia, T., Mariot, N., 2023. L'Attestation. Une expérience d'obéissance de masse, printemps 2020. Anamosa: Paris.
[144] Michel, J.-D., 2024. La Fabrication du désastre. Qui? Pourquoi? Comment? Résurgence: Bruxelles.
[145] Hell, B., 1999. Possession et chamanisme. Les maîtres du désordre. Flammarion: Paris.
[146] Jouvenet, M., 2006. Rap, techno, électro… Le musicien, entre travail artistique et critique sociale. Éditions de la Maison des Sciences de l'Homme: Paris.
[147] Pourtau, L., 2012. Techno 2: Une subculture en marge. CNRS edition: Paris.
[148] Rouget, G., 1980. La Musique et la transe. Esquisse d'une théorie générale de la musique et de la possession. Gallimard: Paris.
[149] Teissier, L., 2003. Musiques et fêtes techno: l'exception franco-britannique des free parties. Revue française de sociologie. 44(1), 63–91. DOI: https://doi.org/10.3917/rfs.441.0063
[150] Canetti, E., 1984. Crowd and Power (translated from 1st ed. in German: 1960). Farrar, Straus and Giroux: New York, NY.
[151] Mannheim, K., 1990. Le Problème des générations (1st ed. in German language: 1928). Nathan: Paris.
[152] Bobakova, D., Madarasova Geckova, A., Reijneveld Sijmen, A., et al., 2012. Subculture Affiliation Is Associated with Substance Use of Adolescents. European Addiction Research. 18(2), 91–96. DOI: https://doi.org/10.1159/000334614
[153] Shapiro, H., 1988. Waiting for the Man. The Story of Drugs and Popular Music. Quartet Book: London, UK; New York, NY, USA.
[154] Dorna, A., 2012. Faut-il avoir peur de l'homme providentiel? Bréal.
[155] Bielby, W., 2004. Rock in a Hard Place: Grassroots Cultural Production in the Post-Elvis Era. American Sociological Review. 69(1), 1–13. DOI: https://doi.org/10.1177/000312240406900102
[156] François, S., 2008. Les Néo-paganismes et la Nouvelle Droite (1980–2006). Pour une autre approche. Arché: Milan.
[157] François, S., 2008. Le Nazisme revisité. L'occultisme contre l'histoire. Berg International: Paris.
[158] François, S., 2014. Au-delà des vents du nord. L'extrême droite française et les Indo-Européens. Presses universitaires de Lyon: Lyon, France.
[159] Martin, B., 1979. The Sacralization of Disorder: Symbolism in Rock Music. Sociological Analysis. 40(2), 87–124. DOI: https://doi.org/10.2307/3709782
[160] Chastagner, C., 1998. La Loi du rock. Ambivalence et sacrifice dans la musique anglo-américaine. Climats: Castelnau-le-Lez, France.
[161] Mauss, M., 1924. Essai sur le don. Forme et raison de l'échange dans les sociétés archaïques. PUF: Paris.
[162] Abric, J.-C., 2016. Pratiques et représentations sociales. PUF: Paris.
[163] Moscovici, S., 1976. La Psychanalyse, son image et son public. PUF: Paris.
[164] Seca, J.-M., 2010. Les Représentations sociales. Armand Colin: Paris.
[165] Michelet, Jules., 1993. La Sorcière. [1st édition: 1862]. Flammarion: Paris.
[166] Rousseau, V., 2003. Lilith: une androgynie oubliée. Archives de sciences sociales des religions. 123, 61–75. Available from: https://journals.openedition.org/assr/1067
[167] Cabantous, A., Walter, F., 2020. Les Tentations de la chair. Virginité et chasteté (XVIe-XXIe siècle). Payot: Paris.
[168] Lorenzi-Cioldi, F., 1988. Individus dominants et groupes dominés. Images masculines et féminines. PUG: Grenoble, France.
[169] Seca, J.-M., 2011. Colère et enragement: la scène publique et le processus. Sociétés. 114(4), 95–106. DOI: https://doi.org/10.3917/soc.114.0095
[170] Seca, J.-M., 2012. Colères et ordo amoris dans les styles rock. Sociétés. 117(3), 15–33. DOI: https://doi.org/10.3917/soc.117.0015
[171] Le Guern, P., 2012. The Spectre haunting Rock Music – The Obsession with Heritage, Popular and Present-Day Music, and “Museo-mummification” Questions de communication [Online]. 22. DOI: https://doi.org/10.4000/questionsdecommunication.8889
[172] Gaillot, M., 1999. Sens multiple. La techno: un laboratoire artistique et politique du temps présent. Dis Voir: Paris.
[173] Hein, F., 2012. Do It Yourself. Autodétermination et culture punk. Le Passager clandestin: Congé-sur-Orge, France.
[174] Candau, J., 2005. Anthropologie de la mémoire. Armand Colin: Paris.
[175] Sloterdijk, P., 2010. Rage and Time. A psychopolitical investigation. [1st edition in German language: 2010]. Columbia University Press: New York, NY.
[176] Douglas, M., 1966. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. Routledge/Taylor and Francis: London, UK; New York, NY, USA.
[177] Leiris, M., 1958. La Possession et ses aspects théâtraux chez les Éthiopiens du Gondar, Plon: Paris.
[178] Turner, V., 1977. The Ritual Process. Structure and Anti- Structure. (1st edition: 1969). Cornell Paperbacks & Cornell University Pres: Ithaca, NY.
[179] Adorno, T., Frenkel-Brunswik, E., Levinson, D.J., et al., 1950. The Authoritarian Personality. Studies in Prejudice. Harpers and Brothers: New York, NY.
[180] Rokeach, M., 1960. The Open and Closed Mind: Investigations into the Nature of Belief Systems and Personality Systems. Basic Books: New York, NY.
[181] Deconchy, J.-P., 1980. Orthodoxie Religieuse et Sciences Humaines. Mouton: Paris/La Haye.
[182] Deconchy, J.-P., 1996. Psychologie sociale, autoritarisme, démocratisme: un manque ou un surplus d'outillage. Hermès. 19(1), 135–148. DOI: https://doi.org/10.4267/2042/14880
[183] Deconchy, J.-P., Dru, V., 2007. L'Autoritarisme. PUG: Grenoble, France.
Downloads
How to Cite
Issue
Article Type
License
Copyright © 2024 Jean-Marie Seca, Gildas Lescop
This is an open access article under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License.